216 Free Artworks of Facial Expressions In Art

metropolitan museum of art department of photographs, metropolitan museum of art experiments in physiology. facial expressions albumen silver print from glass negative adrien alban tournachon albumen prints in the metropolitan museum of art w. bruce and delaney h. lundberg gift facial expressions of humans in art prints by pieter schenk (i) in the rijksmuseum amsterdam works after sébastien leclerc

Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Frightened Horse Tied to a Post, Sawrey Gilpin

drawings by sawrey gilpin in the yale center for british art drawings of horses by sawrey gilpin

Portrait of Queen Anna Jagiellon as a widow., Martin Kober, after 1586

anna jagiellon as a widow (martin kober)mannerism

Medea, Frederick Sandys, between 1866 and 1868

pre-raphaelite brotherhood,norwich school of painters paintings by anthony frederick augustus sandys

Two tax collectors (detail)., Marinus van Reymerswaele, 1540s

two tax collectors by marinus van reymerswale (national museum in warsaw)green headwear

A Young Man with a Chain, Rembrandt, 1625

young man with a gold chain (rembrandt)dutch golden age painting

Ecce Homo Triptych, portraits of founder on the wings, Maarten van Heemskerck, 1544

ecce homo altarpiece mannerism

Verbaasde en aandachtige gezichtsuitdrukking Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel), RP-P-1922-444, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions in art

Head of a Horse, Sawrey Gilpin, 1760

drawings by sawrey gilpin in the yale center for british art drawings of horses by sawrey gilpin

Head and neck of a horse facing right, Sawrey Gilpin

drawings by sawrey gilpin in the yale center for british art drawings of horses by sawrey gilpin

Portrait of a Lady, Thomas de Keyser

paintings by thomas de keyser baroque portraits of women

Ecce Homo Triptych, portraits of founder on the wings, Maarten van Heemskerck, 1544

ecce homo altarpiece mannerism

Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

drawings in the yale center for british art henry thomas alken

Chodowiecki für Lavater, Daniel Nikolaus Chodowiecki, circa 1775

etchings by daniel chodowiecki rococo,neoclassicism

Thirteen heads by Thomas Rowlandson, British, undated, pen and ink over graphite on paper - Princeton University Art Museum - DSC06571, Thomas Rowlandson

european drawings in the princeton university art museum romanticism

The Smoker, David Teniers the Younger, circa 1640

flemish paintings in the los angeles county museum of art baroque

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Christ and the Adulteress detail, Lucas Cranach the Younger, after 1532

details of paintings by lucas cranach (ii)german renaissance

Head of Caracalla, Jean-Baptiste Greuze, circa 1768

drawings by jean-baptiste greuze 16th-century chalk drawings

Hoofd van een paard met paardentoom, RP-P-OB-68.218, between 1785 and 1891

18th-century monogrammists in the rijksmuseum amsterdam 19th-century monogrammists in the rijksmuseum amsterdam

Portrait of a young man wearing a turban, Michiel Sweerts, 1656

diversae facies (several facial expressions) by michiel sweerts baroque

Card players, Wouter Crabeth II

erotic paintings in the national museum in warsaw wouter pietersz. crabeth (ii)

Jean de la Fontaine - peint par Garnerey d'après Rigault ; gravé par P.M. Alix. LCCN2013646709, Pierre-Michel Alix, 1791

fine prints in the library of congress pierre-michel alix

Head of Caracalla, Jean-Baptiste Greuze, 1763

drawings from france in the cleveland museum of art drawings by jean-baptiste greuze

Faradisation du muscle frontal, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 56: Surprise, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 60: Fright, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 62: Terror, semiprofile, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Electro-Physiology, Figure 64, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 18: Aggression, wickedness, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 70: Head of the Laocoön of Rome, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 19: Suffering, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Study for The Blessed Alessandro Sauli, Pierre Puget, 1663

french art in the cleveland museum of art baroque

Portrait of Madeleine Castaing, Chaïm Soutine, circa 1929

portrait paintings by chaïm soutine expressionism

Figure 53: Whimpering and false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 47: A suggestion of this same weeping, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 78: Scene of coquetry, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 36: Scornful laughter and scornful disgust, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 8: Contraction of the right m. frontalis., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 45: Pain and despair., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 20: Profound suffering, with resignation, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 75: Nun saying her prayers, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 49: Painful weeping and forward looking., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 83: Lady Macbeth, ferocious cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 73: Head of Niobe, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 3: The face of an old man... photographed in repose., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 71: Same head as in Plate 70, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 34: Grimace, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Schaapskop, RP-T-FM-86, Andries Vermeulen, August 1808

watercolor paintings in the rijksmuseum amsterdam jean zacherie mazel

I Don't Want to be an Angel by Boston Public Library (cropped), Louis Prang

chromolithographs at boston public library lithographs of babies

I Don't Want to be an Angel by Boston Public Library, Louis Prang

chromolithographs at boston public library angels in art

Gezichtsuitdrukkingen van vrees, verachting, schrik, verwondering, medelijden en geweldige beweging Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affec, RP-P-1922-450, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions of humans in art

Lachende en huilende gezichtsuitdrukking Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel), RP-P-1922-447, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions of humans in art

Vreugdevolle en bewonderende gezichtsuitdrukking Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel), RP-P-1922-443, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions of humans in art

Gezichtsuitdrukking van afgrijzen en gezichtsuitdrukking van droefheid Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel), RP-P-1922-446, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions of humans in art

Gezichtsuitdrukkingen van liefde, kleinmoedigheid, verlangen, eerbied, verrukking en smart Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum an, RP-P-1922-449, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions of humans in art

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 21: Painful recollection and recollection or calling something to mind, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Last Supper, Hans Holbein the Younger, 1497/8 – 1543

german renaissance,northern renaissance paintings of the last supper

Gradation de la tête de grenouille jusqu'au profil d'Apollon d'après les idées du célébre Lavater, Jacques-Louis Bance, between 1804 and 1810

l’art de connaître les hommes par la physionomie jacques-louis bance

Saint Bernard, Jean Fouquet

hours of étienne chevalier renaissance

Gezichtsuitdrukking van haat en gezichtsuitdrukking van afkeer Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel), RP-P-1922-445, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions of humans in art

Paardenkop, naar rechts, RP-T-1988-49, Johannes Tavenraat, 1826

drawings by johannes tavenraat in the rijksmuseum amsterdam pencil drawings in the rijksmuseum amsterdam

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

14 Sammlung Eybl Österreich. Alfred Offner. Zeichnet 8. Kriegsanleihe. 1918, edit, Alfred Offner

world war i war bond posters of austria-hungary plakatmuseum wien, eybl collection

Hoofd en nek van een paard, RP-T-1948-609, Georg Friedrich Schmidt, between 1867 and 1923

drawings by george hendrik breitner in the rijksmuseum amsterdam drawings of horses in the rijksmuseum amsterdam

Twee vechtende hengsten, RP-T-1947-172(R), George Stubbs, between 1768 and 1836

19th-century drawings in the rijksmuseum amsterdam romanticism

14 Sammlung Eybl Österreich. Alfred Offner (1879-1937). Zeichnet 8. Kriegsanleihe. 1918. 95 x 63 cm. (Slg.Nr. 325), Alfred Offner

world war i war bond posters of austria-hungary 8 (number) in art

Overzicht van zes foto's ter illustratie van mensen met verschillende gezichtsuitdrukkingen, RP-F-2001-7-946-3, Oscar Gustave Rejlander

pictorialism,pre-raphaelite brotherhood book pages in the rijksmuseum amsterdam

Gezichtsuitdrukking van toorn en gezichtsuitdrukking van toorn en wanhoop Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel), RP-P-1922-448, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam facial expressions of humans in art

A Roman Slave Market, Jean-Léon Gérôme, circa 1884

academic art,neo-grec,orientalism,neo-pompeian a roman slave market (gérôme)

Paardenkop, naar rechts, RP-T-1988-47, Carle Vernet, between 1819 and 1881

drawings by johannes tavenraat in the rijksmuseum amsterdam works after carle vernet

Ornamenteel cartouche en een rustige gezichtsuitdrukking Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel op object), RP-P-1922-442, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam prints of cartouches in the rijksmuseum amsterdam

Vier opnamen van personen die onmacht uitdrukken, RP-F-2001-7-1689-6, Oscar Gustave Rejlander

pictorialism,pre-raphaelite brotherhood uncategorized images of the rijksmuseum

Drie opnamen van personen die minachting uitdrukken, RP-F-2001-7-1689-5, Oscar Gustave Rejlander

pictorialism,pre-raphaelite brotherhood uncategorized images of the rijksmuseum

Groa och Heid, Carl Larsson, Published in 1893.

arts and crafts movement drawings by carl larsson

Andriessen, Jurriaan (1742-1819), Afb ANWM00061000003, Reinier Vinkeles, circa 1766

drawings in the stadsarchief amsterdam portraits of reinier vinkeles

Paardenhoofd naar links Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-BI-791, Dirk Langendijk

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

The Crucifixion, Naddo Ceccarelli

medieval art in the walters art museum sienese school

Paardenhoofd, naar links Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-1898-A-19748

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

Paardenhoofd in gebogen houding, naar rechts Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-BI-788

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

Paardenhoofd, naar rechts Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-1898-A-19751

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

Paardenhoofd naar rechts Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-BI-786, Dirk Langendijk

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

Ornamenteel cartouche en een rustige gezichtsuitdrukking Aftekening en verbeelding der hartstogten Abbild oder Vorstellung der Gemühts regungen Effigies et Repraesentatio Affectionum animi (serietitel op object), RP-P-1907-4854, Sébastien Leclerc, between 1692 and 1711

prints by pieter schenk (i) in the rijksmuseum amsterdam prints of cartouches in the rijksmuseum amsterdam

Paardenhoofd van liggend paard Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-1898-A-19747, Dirk Langendijk

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

Paardenhoofd in lichtgebogen houding, naar links Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-BI-789

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

Paardenhoofd in lichtgebogen houding naar links Paardenhoofden naar Dirk Langendijk (serietitel), RP-P-1898-A-19750, Dirk Langendijk

prints by joannes bemme in the rijksmuseum amsterdam horse heads in art

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